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    • Francis Frost - Otto
      Francis Frost - Otto
    • on mar 20, 2012 0
    • “Fragments of RGB” installation by Onformative
      “Fragments of RGB” installation by Onformative
    • on may 11, 2011 3 0
    • “Fragments of RGB” installation by Onformative
      “Fragments of RGB” installation by Onformative
    • on may 11, 2011 0
    • “Fragments of RGB” installation by Onformative
      “Fragments of RGB” installation by Onformative
    • on may 11, 2011 2 0
    • “Fragments of RGB” installation by Onformative
      “Fragments of RGB” installation by Onformative
    • on may 11, 2011 0
    • “Fragments of RGB” installation by Onformative
      “Fragments of RGB” installation by Onformative
    • on may 11, 2011 2 0
    • the spectacle of advertising
      the spectacle of advertising
    • on may 04, 2011 6 0
    • Michelangelo Pistoletto - mirror coffin
      Michelangelo Pistoletto - mirror coffin
    • on nov 27, 2010 11 0
    • Frank Licsko
      Frank Licsko
    • on aug 19, 2010 0
    • Sol Lewitt
      Sol Lewitt
    • on aug 18, 2010 2 0
    • Banana boat
      Banana boat
    • on aug 16, 2010 2 0
    • •••••• SURFACE TO AIR ••••••••• : LESLIE DAVID
      •••••• SURFACE TO AIR ••••••••• : LESLIE DAVID
    • on may 24, 2010 22 0
    • Michael Willis © 2008 - 2010
      Michael Willis © 2008 - 2010
    • on apr 22, 2010 2 0
    • tiny empress ix (SOLD) / alexisanne
      tiny empress ix (SOLD) / alexisanne
    • on mar 11, 2010 2 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 11 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 3 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 2 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 4 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 12 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 8 0
    • We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
      We don’t know where our first impressions come from or precisely what they mean, so we don’t always appreciate their fragility
    • on mar 10, 2010 2 0
    • Bridget Riley's "Blaze 1"
      Bridget Riley's "Blaze 1"
    • on mar 10, 2010 24 0
    • Unsafe
      Conrad Roset
      Conrad Roset
    • on feb 23, 2010 31 0
    • op art
      op art
    • on feb 18, 2010 4 0
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